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Puzzles

by Steve Barry

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1.
Harbinger 01:31
2.
3.
Forge 03:36
4.
Unsaid 04:22
5.
6.
Epiphany 08:59
7.
Flux 09:18
8.
Kanji 04:39
9.
Idyll 01:55
10.

about

The stimulus for this recording was the prize I received at the National Jazz Awards in 2013, a part of which was a generous donation from Niko Schauble for day in his studio in Melbourne. The resulting album is a sort of mosaic of music - some written two years ago and some written in the weeks before the session - yet the pieces somehow come together as a unified, albeit kaleidoscopic puzzle.

A bit about the music

Harbinger evolved entirely from the opening chord of "Paradox of Choice" (a major 7 with a flattened ninth) into a sort of stand alone prelude.

Paradox of Choice - sometimes having a lot of choice makes it harder to choose.

Forge is 16 bar cycle of chords based on stacked triads.

Unsaid - written for things left unspoken, from love to grief.

I wrote this Heraclitus’ Riverbed after reading Milan Kundera’s The Unbearable Lightness of Being, particularly in response the idea that various objects or people in our lives carry different meanings at different times. The melody of the song evolves through a series of fairly different chord changes, while still retaining its initial essence.

Epiphany tumbled out while sitting on a wall of the Fortezza Medicea in Siena at sunset, looking out at the Tuscan fields during a couple of months traveling through Europe.

Like Heraclitus' Riverbed, the melody to Flux dances and morphs its way around a 7-bar cycle and various iterations thereof.

Kanji - One morning I just finished a new tune before a rehearsal and quickly sketched it out for the rest of the band. It was so badly done that one of the guys commented the notation looked like Japanese characters…and named the tune in the process.

Idyll - this is a fragment from a longer tune that seemed to fit nicely as a short feature for Tim.

Cosmic Love Child is inspired by Lennie Tristano and brings together two of my favourite standards, East of the Sun (and West of the Moon) and (very vaguely) George Shearing’s Conception. Here Dave and I close the album playing duo, sneaking around the changes before playing the melody out.

credits

released October 17, 2014

Steve Barry - piano, rhodes
Dave Jackson - alto saxophone
Alex Boneham - bass
Tim Firth - drums

All compositions © Steve Barry 2014 APRA|AMCOS

Recorded February 28 & 29 2014 at Pughouse Studios, Melbourne.
Engineered by Niko Schauble.
Mixed by Richie Belkner at Free Energy Device Studios, Sydney.
Mastered by Nate Wood at Kerseboom Studios, New York City.

Artwork by Steve Barry

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about

Steve Barry Sydney, Australia

Steve Barry (PhD) is a pianist, organist, composer and improviser and educator based in Sydney, Australia.

He is the recipient of numerous awards including an APRA Professional Development Award and the Bell Award for Young Australian Jazz Artist of the Year.

Steve is faculty member of the Jazz program at the Sydney Conservatorium of Music.
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